Box 3
Contains 144 Results:
Brookings cemetery, undated
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Rose Center cemetery - Clarke monument (stone, 1911); Sullon monument (stone, 1884)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Detroit Zoo
Baby Asian elephant, by Tom Tischler (bronze, 1989); Furniture for the great apes, by Marshall Fredericks (fiberglass & stainless steel, 1954); Flying pterodactyls, by Marshall Fredericks (granite & bronze, 1961); Galapagos tortoise, by William Allen (bronze, 1992); Horace H. Rackham Memorial fountain, by Corrado J. Parducci (bronze & granite, 1939); Mankind and primates, Marshall Fredericks (aluminum, 1960).
Dondero High School - Murals, by Andrew Maglia and Bronislaw Makielski (painted canvas), 1930s
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Farmers Market - Stained glass windows, by Cutters Glass Co. (glass), 1984
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Oakview cemetery - Lepire grave maker (granite & marble, 1919?)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Royal Oak cemetery - Geddis grave marker (stone, 1841); Watch grave marker (stone,1899)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Royal Oak Library
The Cheyenne, by Frederick Remington (bronze); Man and the expanding universive, by Marshall Fredericks (bronze,1986); Mouse, by Marshall Fredericks (bronze, 1962); The thinker, by Marshall Fredericks (bronze); Three clowns, by Marshall Fredericks (bronze, 1970); Three eagles, by Marshall Fredericks (bronze); Two bears, by Marshall Fredericks (bronze on marble base, 1962).
Royal Oak Post Office - First harvest, pioneer family, by Sidney Loeb (plaster reliefs), 1939
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Shrine of the Little Flower - Crucifixion tower, by Henry J. McGill (limestone), 1931
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
St. Mary's cemetery, 1875
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
South Lyon cemetery - Arms grave marker (granite & rock, 1970); Our fallen heroes monument (granite, 1865); Peer grave marker (stone, 1896)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Southfield
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
American Office Plaza - Transparent pie shape, chocolate pie shape, black pie shape, by George Ette (plexi glass & stone), 1972
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Bendix Corporation - Bendix trilogy, by Louise Nevelson (corten steel & aluminum), 1979
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Beth Achim Synagogue - Seven days of creation, by Vera Sattler (stained glass), 1970
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Civic Center
Gazelle, by Marshall Fredericks (bronze, 1936); Icarus, by Gordon Hipp (welded metal, 1968); Michigan Outdoor sculpture (exhibition, 1987); Michigan Outdoor sculpture II (exhibition, 1989); Untitled, by Mel Leiserowitz (painted steel, 1985).
Federal Mogul Corporation - Prelude, by Robert Piepenburg (steel, 1982); Untitled, by Robert L. Kidd (fiber sculpture, 1983)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Galleria Office Center - Star gazer, by Michael Hall (painted steel), 1984
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Harlan Electric Company - S-GO, by Josefa Filkowsky (painted steel), 1973
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.