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Box 3

 Container

Contains 144 Results:

Royal Oak Post Office - First harvest, pioneer family, by Sidney Loeb (plaster reliefs), 1939

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1939

Shrine of the Little Flower - Crucifixion tower, by Henry J. McGill (limestone), 1931

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1931

St. Mary's cemetery, 1875

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1875

South Lyon cemetery - Arms grave marker (granite & rock, 1970); Our fallen heroes monument (granite, 1865); Peer grave marker (stone, 1896)

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1971 - 1992

Southfield

 Sub-Series — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1971 - 1992

American Office Plaza - Transparent pie shape, chocolate pie shape, black pie shape, by George Ette (plexi glass & stone), 1972

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1972

Bendix Corporation - Bendix trilogy, by Louise Nevelson (corten steel & aluminum), 1979

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1979

Beth Achim Synagogue - Seven days of creation, by Vera Sattler (stained glass), 1970

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1970

Civic Center

 File — Box: 3
Scope and Contents

Gazelle, by Marshall Fredericks (bronze, 1936); Icarus, by Gordon Hipp (welded metal, 1968); Michigan Outdoor sculpture (exhibition, 1987); Michigan Outdoor sculpture II (exhibition, 1989); Untitled, by Mel Leiserowitz (painted steel, 1985).

Dates: 1971 - 1992

Federal Mogul Corporation - Prelude, by Robert Piepenburg (steel, 1982); Untitled, by Robert L. Kidd (fiber sculpture, 1983)

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1971 - 1992

Galleria Office Center - Star gazer, by Michael Hall (painted steel), 1984

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1984

Harlan Electric Company - S-GO, by Josefa Filkowsky (painted steel), 1973

 Fonds — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1973

Holy Sepulchre cemetery - Four saints (granite, undated); Holy Family sculpture (stone, undated); Navin mausoleum, Tiger sculptures (1926?)

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1971 - 1992

Ira Kaufman Funeral Chapel - Tree of life, by Jay Holland (bronze), undated

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: undated

Manufacturers Bank of Southfield - Detroit panorama, by Narendra Patel (multi-colored copper, 1974); Untitled fountain, by Robert Youngman (concrete, 1974)

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1971 - 1992

Michigan Life Insurance Company - Untitled, by Nathan Horwitz (painted steel), undated

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: undated

Northland Center - sculptures

 File — Box: 3
Scope and Contents

Boy and bear, by Marshall Fredericks (limestone & gilded bronze, 1954); The crowd, by Gio Pomodora (polished brass, 1971); Great Lakes wall, by Lily Saarinen (ceramic & aluminum, 1954); Laughing elephant, by Arthur M. Kraft (limestone, 1954); Moby Dick, by Joseph Anthony McDonnell (bronze, 1966); The prophet, by Sarel Etrog (bronze, 1976); Women with fish, by Joseph A. McDonnell (fiberglass & bronze, 1965).

Dates: 1971 - 1992

Old Orchard Shopping Mall - Red and white oak, Curve, Black walnut/Black cherry, by Arthur Wenk (wood sculpture), 1969 - 1971

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1969 - 1971

Omni Office Center - Liberty ship, by Michael Hall, 1983

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1983

Pioneer cemetery - John Thomas grave marker (marble), 1844, 1837

 File — Box: 3
Scope and Contents From the Sub-Series:

Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.

Dates: 1844; 1837