Box 3
Contains 144 Results:
Royal Oak Post Office - First harvest, pioneer family, by Sidney Loeb (plaster reliefs), 1939
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Shrine of the Little Flower - Crucifixion tower, by Henry J. McGill (limestone), 1931
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
St. Mary's cemetery, 1875
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
South Lyon cemetery - Arms grave marker (granite & rock, 1970); Our fallen heroes monument (granite, 1865); Peer grave marker (stone, 1896)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Southfield
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
American Office Plaza - Transparent pie shape, chocolate pie shape, black pie shape, by George Ette (plexi glass & stone), 1972
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Bendix Corporation - Bendix trilogy, by Louise Nevelson (corten steel & aluminum), 1979
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Beth Achim Synagogue - Seven days of creation, by Vera Sattler (stained glass), 1970
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Civic Center
Gazelle, by Marshall Fredericks (bronze, 1936); Icarus, by Gordon Hipp (welded metal, 1968); Michigan Outdoor sculpture (exhibition, 1987); Michigan Outdoor sculpture II (exhibition, 1989); Untitled, by Mel Leiserowitz (painted steel, 1985).
Federal Mogul Corporation - Prelude, by Robert Piepenburg (steel, 1982); Untitled, by Robert L. Kidd (fiber sculpture, 1983)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Galleria Office Center - Star gazer, by Michael Hall (painted steel), 1984
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Harlan Electric Company - S-GO, by Josefa Filkowsky (painted steel), 1973
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Holy Sepulchre cemetery - Four saints (granite, undated); Holy Family sculpture (stone, undated); Navin mausoleum, Tiger sculptures (1926?)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Ira Kaufman Funeral Chapel - Tree of life, by Jay Holland (bronze), undated
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Manufacturers Bank of Southfield - Detroit panorama, by Narendra Patel (multi-colored copper, 1974); Untitled fountain, by Robert Youngman (concrete, 1974)
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Michigan Life Insurance Company - Untitled, by Nathan Horwitz (painted steel), undated
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Northland Center - sculptures
Boy and bear, by Marshall Fredericks (limestone & gilded bronze, 1954); The crowd, by Gio Pomodora (polished brass, 1971); Great Lakes wall, by Lily Saarinen (ceramic & aluminum, 1954); Laughing elephant, by Arthur M. Kraft (limestone, 1954); Moby Dick, by Joseph Anthony McDonnell (bronze, 1966); The prophet, by Sarel Etrog (bronze, 1976); Women with fish, by Joseph A. McDonnell (fiberglass & bronze, 1965).
Old Orchard Shopping Mall - Red and white oak, Curve, Black walnut/Black cherry, by Arthur Wenk (wood sculpture), 1969 - 1971
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Omni Office Center - Liberty ship, by Michael Hall, 1983
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.
Pioneer cemetery - John Thomas grave marker (marble), 1844, 1837
Each listing represents a folder of an art work(s) or possible locations, e.g. cemeteries, for art objects that were identified by students working on the project. The names of the art works are the ones used by the researchers. There are a number of folders with minimal information and also folders with photos, clippings, and notes written by the students. Many of the cemeteries are missing any information other than their names.